Zack Snyder presented his first film with an original plot since the arrival of “Sucker Punch” in theaters in 2011, a film which despite its polarizing reactions to the general public and specialized critics, has managed to find a place in the hearts of his fans. as a sort of “modern cult classic”, although this does not exempt it from being cited as a clear example of “style over substance”.

Long before Warner Bros. decided to accept the existence of the original “Justice League” cut and give it a chance to restore it, Snyder began working with Netflix on “Army of The Dead,” where, after a controversy and a pandemic not finished, finally reached the catalog of the platform this weekend.

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Snyder is no stranger to zombie cinema, making his directorial debut thanks to “Dawn of the Dead”, a remake of the one directed by genre father George A Romero released in 1978, so he would be quite curious for many. that in his new work decided to combine the living dead with the “heist cinema” (see “The Italian Job” or “Ocean’s Eleven”).

But as original as Snyder’s proposition may seem: did it work in execution? We can see in this film that Zack Snyder, although he does not have the same infrastructure and technical equipment that Warner Bros Studios offered him, managed to learn a few tricks, in addition to feeling sufficiently confident. to be his own cinematographer.

‘Army of the Dead’ features a storyline in which Las Vegas has become the starting point for an invasion of zombies, many of which move away from the stereotype of slow walking to present creatures much more agile, strong and resilient than the average human. having an excellent sense of organization and leadership thanks to his Alpha, which comes from a government establishment.

The years have passed and with the walled city, a mercenary named Scott Ward (Dave Bautista) is recruited for a dangerous mission in which he must assemble a special team to enter the city and collect billions of dollars loot from the vault. fort of a casino before a nuclear bomb destroyed the city.

Let’s be clear. Zack Snyder is a director of many ideas and with extraordinary inventiveness, but it has little or nothing for the viewer if he cannot have some order or control, which the filmmaker does not have. This year we got to see the filmmaker’s great potential with his expanded version of “Justice League,” but remember that this was a film inspired by characters with restored mythologies.

“Army of the Dead” is in an area of ​​great promise that almost succeeded. But when delivering a solid product, “almost” is not enough. Snyder begins his film with one of his now traditional montages, which is performed in the right way to the beat of “Viva Las Vegas” in a big band with the voices of Richard Cheese and Allison Crowe.

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With this movie, Snyder is that friend who has a really good story to tell you, but who starts to stutter and falter with emotion, which makes you not fully understand what he wanted to tell. It has counter-shots whose composition could be extraordinary if it weren’t for its blurry sequences, which can be intentional, but are useless for dramatic effects.

“Army of the Dead” has a promising cast, but none of its characters (who more than characters actually appear to be named narrative archetypes) are not strong enough to care for their well-being throughout their life. trip, although there is. that some of your action sequences are appealing to the eyes.

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Maybe it’s because Snyder wanted to build an action movie so he wouldn’t take himself too seriously and enjoy it on a free afternoon, but it’s clear the filmmaker still has a lot to learn in terms of narrative management. when it comes to an original story.

“Army of the Dead” feels like a start, something curious coming from a filmmaker with eight films in his career. Zack Snyder was quickly recruited by Warner Bros after his debut, which may have avoided developing as a writer without the oversight of the big studios. While this film is far from perfect, its filmmaker almost certainly still has a promising career ahead of him.

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